History 400: Senior Research Seminar in History Spring 2006
Professor Landweber
A good scholarly book review is a sustained
exercise in critical analysis. It does not merely restate the contents of the
book, nor does it simply retell the book’s narrative (though it may well do
both in some measure). To do these things and nothing else is to write a book report,
an exercise best left behind with high school. A book review is aimed at
an intelligent and generally well-read audience who is presumed to be
unfamiliar with the particular matter imparted by this particular book. A
scholarly review of a non-fiction book tells the reader what the book is about
while also providing an informed and insightful assessment of the author’s
accomplishments within the book, as well as assessing the book’s place within
the larger realm of other related work of significance on the subject.
Scholarly reviews are always critical, but that
does not mean they are always negative. In fact, a review should never be a
sustained trashing of the work in question unless the reviewer is truly
offended by the entire work. Critical assessment is seldom negative. Think of
what is meant by the phrases “literary criticism,” “critical acclaim,” and
“critical praise.” Critical assessment means well-reasoned
judgment. Does the book work? Does it work well or poorly, and how well,
and why or why not? Does it answer a need, fit a niche, contribute ideas or
evidence (or both) of value that have not been said before?
Good scholarly book reviews typically address
the following points (not necessarily in this order):
1. Place
the book within the larger debate on its subject (with works of history, this
is called “historiography”). This can be based on information within the book,
but will only really work well if the reviewer also examines other significant
materials besides the book under review. These materials usually consist in
large part of important works the author relied on (check the notes to learn
what these are). They may also consist of important materials the author did
not appear to rely on (e.g. significant works dealing with the same or related
subject matter that do not appear in the notes but were theoretically available
to the author). How does the author use his or her sources? Are they used to
good effect or not? If the author appears to overlook important sources, does
that reveal a flaw in their research? Can you determine why the author may have
overlooked important materials?
2. What
are the book’s larger contributions to its subject?
3.
Assess the author’s assumptions, historiographical and methodological
frameworks, psychological baggage, etc. How do these assumptions shape the work?
·
What methodologies does the author work from?
For example, does the author’s interpretation focus primarily on political,
social, cultural, or intellectual angles, or on some mix of these, or on other
issues?
·
Does the author focus on individual biography to
advance his or her thesis, or on the narration of broad historical
developments, or on a combination of the two?
·
Does the author demonstrate awareness of gender,
class, or race issues with relation to the subject? Is there a sustained focus
on any of these issues within the work?
·
In works of environmental history, you may find
it interesting to assess the strength and depth of the author’s use of
scientific data and sources, in addition to more traditional historical
sources.
4. Perform a critical assessment of the book’s
weaknesses as well as strengths:
5. How
does the author use specific pieces of evidence to make his or her
argument, to gain his or her conclusions?
6. What
does the book suggest the next set of questions should be? (What’s the next
step?)